Literary Journalism Chapters 5 and 15 Synopsis
Literary Journalism Chapters 5 and 15 Synopsis
January 12, 2007
Objective reportage is the basis of journalism. (Page 303). In order to write an article, the writer must pull themselves completely out of the story. The writer cannot have an opinion, but reports the “what, when, who, where, how, why” sides the story. They use sources to tell the story. They have no point of view.
The job of the writer is to inform and relay information to the reader, not explain their personal take on the matter, regardless on whether they have a positive or negative reaction to the topic. A reader never knows what the writer thinks about the topic.
Journalism only allows the writer to use information that is verifiable, not from a memory or some kind of reaction the writer thought the source had to a question. The writer must only use what the source said directly.
When writing an article, the writer must be straight forward, presenting only facts, and be concise. Writers cannot “beat around the bush,” especially in news articles.
Reportage, combined with point of view, grace of language and story telling, is literary journalism. Page 303
The writer is allowed to choose where they are in the story. Are they the center, on the side lines, completely out of the story? It’s up to the writer where they lay in the story. They choose the focus of the story by where they are in it. The writer can have a point of view in the story. The writer can use observations and the reactions of the sources as a way of enhancing the story, while maintaining its truthfulness.
Literary Journalism lets you have a specific voice that you choose. You can tell the story from a 12 year old point of view or from a mature 36 year old. You can put in dialogue that happened in the past.
Literary journalists report on what they do not know well. Page 303 Research is key. Interviews, books, newspapers, traveling etc. The story the writer tells is exciting to the reader because the reader feels they are learning right along side the writer.
In Literary journalism, the reader is pulled into the story and feels a connection with the writer because the writer puts themselves somewhere into the story. The writer sets the stage with observations of the scene and the characters and is story-telling. There is tension in the story and makes the reader read on.
For example in Among School Children on page 309 the line “She made her voice sound puzzled” the writer is in the class room observing from the sidelines. This allows the reader to get to know Chris, the teacher. “The chalk rattled, never squeaked” is also a very observant line that takes the reader inside the classroom as the writer narrates the story. They see the teacher use the chalk. They hear the noise it makes against the board. The dialogue that Chris has with the children is something that journalists wouldn’t use as it probably isn’t necessary for them to get the information across. The dialogue makes the story more personal, lets the reader evaluate the teacher and form an opinion of them by the end of the story.
Literary journalism and Journalism tip: avoid clichés!
Creative non-fiction is less about providing answers and more about struggling with questions. Page 66 Journalism provides answers. Readers look to newspapers for answers. Literary journalism can have the subject struggle with problems and emotions and the reader can relate to them because they are vulnerable and human. It doesn’t necessarily provide answers to the reader.
Literary journalism also needs to have a back-story. What is the context behind the certain scene or topic the writer is covering? What does the character do away from the scene? Journalism is straightforward.
As Gary Tales puts it on page 73, the writer is less interested in “the exact words that came out of people’s mouths than in the essence of their meaning. More important than what people say is what they think.” It’s about what is behind the words, the writer’s feelings of the subject.
Page 73 As writers of creative non-fiction our aim is to capture the essence of what is transpired, the felt truth of what was said and heard.